THE INSTANT NEW YORK TIMES BESTSELLER THE BEST OF SKIMM READS 2016 “One of this year’s most talked about novels.” —The Washington Post “A twenty-first-century femme fatale as lethal as Tom Ripley and as seductive as Bacall.” —Vogue A put-upon assistant at a prestigious London art house, Judith Rashleigh is well-educated, well-groomed, and impeccably behaved—keeping the darker desires she indulges on nights off as her own little secret. But when Judith uncovers a dangerous heist, her life is shattered and she’s forced to run. Armed with just her wits and a talent for self-invention, she makes her way from the French Riviera to Geneva, Rome, and the nightclubs of Paris, determined to take back what is rightfully hers. The beginning of a darkly irresistible trilogy, Maestra follows the rise of Judith, a woman whose vulnerability and ruthlessness have left readers worldwide begging to know: where do you go when you've gone too far?
The Juliette Society Book 2 The Janus Chamber
A few years have passed since Catherine’s time in the The Juliette Society, but things haven’t been going the way she planned. Her life with her fiancé Jack has become predictable and boring, especially in the bedroom. Now working as a journalist, she struggles to find inspiration in her work or at home--until she starts writing about the death of a publicly beloved model, Inana Luna, whose experiences reflect Catherine’s own blossoming sexuality and independence. What started as a routine story quickly becomes Catherine’s obsession, as she follows the tale of a woman whose tracks take her down a road with too many familiar facets: a fascination with kink, lustful men, and some very sexy intrigue. Like the Roman god Janus, Catherine is simultaneously looking to the past and the future. Can her experiences with The Juliette Society, along with Inana's diary, help her figure out what she really wants in life, love, and sex? Or will the story drag her back down into a tantalizing world from which she might not be able to escape a second time?
Franquin s Last Laugh
Renowned Franco-Belgian gag cartoonist Andre Franquin suffered from depression. With his late-career "Idees Noires" series of gags from the late 1970s and early 1980s, created mostly for the independent/underground comics magazine Fluide Glacial, Franquin harnessed his still-virtuoso graphic style to his increasingly morbid worldview. Fantagraphics is proud to present the complete "Idees Noires" collection under the title Franquin's Last Laugh.
From the olive trees of southern France to Gnostic cults in Egypt, a man and his lovers are invented and reinvented in this first volume of a great literary adventure. For British doctor Bruce Drexel, a return to Provence is bittersweet. Here, at a rustic chateau, he once fell in love with Sylvie, the Frenchwoman who would become his wife, and befriended her brother, Piers. The three made up a peculiar, potent ménage for years until Sylvie’s descent into madness and Piers’s suicide. As Drexel attends to Piers’s affairs, he becomes steeped in the memories of a spiritually transformational trip to Egypt; the band of intellectual confederates who used to be his intimate friends; and a three-sided love that became his reason for being. So begins Monsieur, the masterful first entry of Durrell’s Avignon Quintet, an infinite regress of memory and imagination that challenges the formal conventions of fiction.
Twelve Years a Slave
The basis for the Academy Award®-winning movie! Kidnapped into slavery in 1841, Northup spent 12 years in captivity. This autobiographical memoir represents an exceptionally detailed and accurate description of slave life and plantation society. 7 illustrations. Index.
Julian Fellowes s Belgravia
FROM THE CREATOR OF DOWNTOWN ABBEY The New York Times bestselling novel about scandalous secrets and star-crossed lovers On the evening of 15 June 1915, the great and the good of British society have gathered in Brussels at what is to become one of the most tragic parties in history - the Duchess of Richmond's ball. For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield. For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...
This revised edition of a now classic text includes a new introduction by Henry Jenkins, explaining ‘Why Fiske Still Matters’ for today’s students, followed by a discussion between former Fiske students Ron Becker, Aniko Bodroghkozy, Steve Classen, Elana Levine, Jason Mittell, Greg Smith and Pam Wilson on ‘John Fiske and Television Culture’. Both underline the continuing relevance of this foundational text in the study of contemporary media and popular culture. Television is unique in its ability to produce so much pleasure and so many meanings for such a wide variety of people. In this book, John Fiske looks at television’s role as an agent of popular culture, and goes on to consider the relationship between this cultural dimension and television’s status as a commodity of the cultural industries that are deeply inscribed with capitalism. He makes use of detailed textual analysis and audience studies to show how television is absorbed into social experience, and thus made into popular culture. Audiences, Fiske argues, are productive, discriminating, and televisually literate. Television Culture provides a comprehensive introduction for students to an integral topic on all communication and media studies courses.
"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.
Taboo looks at the ethnographer and sexuality in anthropological fieldwork and considers the many roles that sexuality plays in the anthropological production of knowledge and texts. How does the sexual identity that anthropologists have in their "home" society affect the kind of sexuality they are allowed to express in other cultures? How is the anthropologists' sexuality perceived by the people with whom he or she does research? How common is sexual violence and intimidation in the field and why is its existence virtually unmentioned in anthropology? These are but a few of the questions to be confronted, exploring from differing perspectives the depth of the influence this tabooed topic has on the entire practice and production of anthropology. A long-overdue text for all students and lecturers of anthropology, many post-fieldwork readers will find a resonance of issues they have previously faced (or tried to avoid) and those who are still to undertake fieldwork will find articles that refer to other kinds of personal and professional experience as well as providing invaluable preparations for coping in the field.
Wolverine Old Man Logan
A future world savaged and sundered by super villains, the United States ain't what it used to be. In California, now a wasteland controlled by the evil Hulk Gang, the former Wolverine seeks to live in peace. He's retired, finally free from the violence of his former existence as an X-Man, and he wants to keep it that way. If only they'd let him. Now, Logan and an aged, blind Hawkeye are forced into a cross-country jaunt through villain-ruled lands, on a collision course with the worst of them all! Can Old Man Logan maintain his pacifi st vow, and make his last stand without doing what he does best? Mark Millar and Steve McNiven unite for a riotous romp through a future world of death, despair and dynamic action! COLLECTING: WOLVERINE 66-72, WOLVERINE: OLD MAN LOGAN GIANT-SIZE