Jacques Chirac authentique
Pierre Boué-Merrac A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Jacques Chirac authentique Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Napoleon Le Petit
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
Harold and Maude
Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and "borrows" cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living, and how to play the banjo. Harold and Maude started as Colin Higgins's master's thesis at UCLA Film School. He was working as a pool boy when Paramount purchased the script. The 1971 film, directed by Hal Ashby, bombed. But then this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. In 1997 it was selected for inclusion on the National Film Registry at the Library of Congress. This novelization was published shortly after the film's release, but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film's unresolved questions. Colin Higgins was a screenwriter, director, and producer of films that included Harold and Maude, Silver Streak, 9 to 5, and The Best Little Whorehouse in Texas. He died in 1988.
Philippe Pétain A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Verdun Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Setting the Desert on Fire T E Lawrence and Britain s Secret War in Arabia 1916 1918
Greed and intrigue combine explosively in this gripping tale of how the mercurial Lawrence of Arabia changed the Middle East forever. It was T. E. Lawrence’s classic Seven Pillars of Wisdom that made the Arab Revolt a legend and helped turn the British intelligence officer into the mythical “Lawrence of Arabia.” But the intrigue behind the revolt and its startling consequences for the present-day Middle East have remained a mystery for nearly one hundred years. James Barr spent four years trawling declassified archives in Europe and crossing the hostile deserts of the Middle East to re-create the revolt as the international drama it really was. A colorful cast of Arab sheiks, British and French soldiers, spies, and diplomats come together in this gripping narrative of political maneuvering, guerrilla warfare, and imperial greed. Setting the Desert on Fire is a masterly account of a key moment in the history of the Middle East, and a portrait of Lawrence himself that is bright, nuanced, and full of fresh insights into the true nature of the master mythmaker.
We Have Never Been Modern
With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith. What does it mean to be modern? What difference does the scientific method make? The difference, Latour explains, is in our careful distinctions between nature and society, between human and thing, distinctions that our benighted ancestors, in their world of alchemy, astrology, and phrenology, never made. But alongside this purifying practice that defines modernity, there exists another seemingly contrary one: the construction of systems that mix politics, science, technology, and nature. The ozone debate is such a hybrid, in Latour’s analysis, as are global warming, deforestation, even the idea of black holes. As these hybrids proliferate, the prospect of keeping nature and culture in their separate mental chambers becomes overwhelming—and rather than try, Latour suggests, we should rethink our distinctions, rethink the definition and constitution of modernity itself. His book offers a new explanation of science that finally recognizes the connections between nature and culture—and so, between our culture and others, past and present. Nothing short of a reworking of our mental landscape. We Have Never Been Modern blurs the boundaries among science, the humanities, and the social sciences to enhance understanding on all sides. A summation of the work of one of the most influential and provocative interpreters of science, it aims at saving what is good and valuable in modernity and replacing the rest with a broader, fairer, and finer sense of possibility.
The Vence Chapel
Henri Matisse: The Vence Chapel, The Archive of a Creation Conversations and Correspondence with Marie-Alain Couturier and Louis-Bertrand Rayssiguier Edited and introduced by Marcel Billot Henri Matisse devoted four years of his life to designing the Vence Chapel, his "crowning achievement," as he himself stated on several occasions. Though the circumstances which led to the creation of this unique building are well known--the project originated with Sister Jacques-Marie, who nursed the aging painter back to health after his brush with death in 1942--the story of the Chapel's construction has long remained shrouded in mystery. Much of the material in this book is drawn from the Couturier Archives. The bulk of the archive consists of the notes of Brother Louis-Bertrand Rayssiguier, the young Dominican monk who drew the plan of the Chapel and worked closely with Matisse on all phases of its building and decorating. From December 1947 to June 1951, Rayssiguier met frequently with the artist and recorded their conversations verbatim. His notes allow the reader to follow day by day the unfolding of one of the supreme masterpieces of religious art in the twentieth century. Even more significantly, they give us a rare glimpse into the artist's private world. They chronicle his disappointments and his moments of elation, his habits and his foibles, his reactions to contemporary developments in the art world, as well as his deepest personal beliefs. Gifted with an unusually keen sense of observation, Rayssiguier shows us Matisse at work as well as Matisse relaxing in the intimacy of his own home. Completing this invaluable record, the correspondence between Matisse and Father Marie-Alain Couturier, the Dominican priest at the forefront of the post-World War II movement to commission works of religious art from leading modern painters and sculptors, details the creation of the Chapel's most remarkable feature--Matisse's bold stained-glass windows. An expert on stained glass and the chief editor of L'Art sacre, an influential review devoted to religious art around the world, Courutier took care of all the logistical and technical matters relating to these great windows. The numerous letters he and the artist exchanged are in themselves a fascinating exchange on the art and the significance of modern stained glass. This archive charts a unique journey to the heart of artistic creativity. The compilation of documents published here for the first time in English is abundantly illustrated with sketches by Matisse and photographic records that show the successive stages of the Chapel's completion.
This Blinding Absence of Light
The award-winning Moroccan-born author of The Sacred Night and Corruption provides a chilling fictional account of the horrific desert concentration camps in which King Hassan II of Morocco held his political enemies and the inhumane conditions in which survivors lived.