L art chevaleresque du combat Le maniement des armes travers les livres de combat XIVe XVIe si cles

Titre : L art chevaleresque du combat Le maniement des armes travers les livres de combat XIVe XVIe si cles
Auteur : Daniel Jaquet
Éditeur : Editions Alphil
ISBN-13 : 9782940489923
Libération : 2016-11-29

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Cet ouvrage invite le lecteur à se plonger dans les livres de combat, littérature technique codifiant des gestes martiaux ; mais plus encore à approcher les hommes qui pratiquaient cet art dans les sociétés médiévales et prémodernes. L'épée, l'armure et le cheval sont autant d'objets symboliques passés sous l'oeil d'un archéologue, d'un historien de l'art et d'un historien qui permettent d'aborder l'art du combat. Les différents chapitres traitent du combat civil, du combat en armure et du combat à cheval. Une des forces de ce regard interdisciplinaire sur l'art chevaleresque du combat provient du fait que l'ensemble des auteurs allient recherches académiques et pratique des arts martiaux historiques européens, offrant ainsi une mise en perspective tout en profondeur à l'étude de cette littérature technique. Le livre est largement illustré par des images tirées des plus importants traités des XIVe et XVIe siècles.

Late Medieval and Early Modern Fight Books

Titre : Late Medieval and Early Modern Fight Books
Auteur :
Éditeur : BRILL
ISBN-13 : 9789004324725
Libération : 2016-07-04

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Late Medieval and Early Modern Fight Books offers insights into the cultural and historical transmission and practices of martial arts, based on interdisciplinary research on the corpus of the Fight Books (Fechtbücher) in 14th- to 17th-century Europe.

The Moveable Feasts Fasts and Other Annual Observances of the Catholic Church

Titre : The Moveable Feasts Fasts and Other Annual Observances of the Catholic Church
Auteur : Alban Butler
Éditeur :
ISBN-13 : NYPL:33433081877726
Libération : 1775

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Alban Butler A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de The Moveable Feasts Fasts and Other Annual Observances of the Catholic Church Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.

Records of the Medieval Sword

Titre : Records of the Medieval Sword
Auteur : Ewart Oakeshott
Éditeur :
ISBN-13 : 0851155669
Libération : 1991

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An extensive and thorough study of the origins, development and usage of the glamorous two-edged knightly sword of the European middle ages, with a complete typology. Spanning the period from the great migrations to the Renaissance, this book presents a selection from a very large body of photographs and research and gives a full and detailed record of the swords of that turbulent time.

The Medieval Art of Swordsmanship

Titre : The Medieval Art of Swordsmanship
Auteur : Jeffrey L. Forgeng
Éditeur :
ISBN-13 : 1891448382
Libération : 2003

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Jointly Published with the British Royal ArmouriesMedieval fighting has long been thought to be rough and untutored. Visiions of men madly slashing to and fro and hoping for the best still dominate not only popular culture but modern histories of fencing as well.In recent years, the survival of more than 175 fighting treatises from the Middle Ages and Renaissance has provided a whole generation of enthusiasts, scholars, reenactors and stage choreographers with a wealth of new information. This text represents the earliest known text on swordsmanship anywhere in the world. Royal Armouries MS I.33 presents a system of combat that is sophisticated and demonstrates the diffusion of fighting arts beyond the military classes. Within the manuscripts richly illustrated full-color illustrations lie still-potent demonstrates of sword techniques, surprisingly shown by a Priest and Scholar. Most surprisingly, however, is the presence of a woman practcing in the text, the only one illustrated in any European fighting treatise. This full color facsimile & translation has been long-awaited and promises to become an important resource for years to come.

Les diaboliques

Titre : Les diaboliques
Auteur : Jules Barbey d'Aurevilly
Éditeur : Buccaneer Books
ISBN-13 : STANFORD:36105039923995
Libération : 1986

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Jules Barbey d'Aurevilly A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Les diaboliques Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.

The Art of the Two Handed Sword

Titre : The Art of the Two Handed Sword
Auteur : Ken Mondschein Ph. D.
Éditeur : Ska Swordplay Books
ISBN-13 : 0978902289
Libération : 2012-01-01

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The Art of the Two-Handed Sword translates one of the last surviving works on the use of the two-handed sword, also called the great sword, a Renaissance descendant of the medieval knightly weapon that was equally at home on the battlefield, at tournaments, in the fencing academy, or on the street. The second half of the book provides a clear, practical, detailed guide to its use, as well as to the theory and practice of historical fencing. Francesco Alfieri's 1653 Lo Spadone (The Two-Handed Sword), translated here, provides a "missing link" between medieval and modern martial arts. It displays clear continuity with both medieval swordsmanship and the still living traditions of sabre and great stick. Beginning in the 14th Century, swords became more sharply pointed in order to pierce the heavy plate armor of the day, and the grip became longer to allow two-handed use for greater power. By the end of the 15th Century, the two-hander, as long as a man is tall, had become a fearsome infantry weapon used to break up pike formations and in honor guards defending the standard or banner. It was also used in tournaments, on the field of honor, and for civilian self-defense. This long two-hander was known in Italy as the spadone. Its basic methods have continued to the present day in great stick technique. The Art of the Two-Handed Sword is the first complete English translation of Alfieri's book, supplemented by related materials: the MS Riccardiano (c. 1550) and works by Camillo Agrippa (1553), Giacomo di Grassi (1570), and finally Guieseppe Colombani (1711), who provides our last textual reference to the weapon. Alfieri's work is supplemented by Ken Mondschein's painstaking reconstruction and adaptation of longsword practice for the present day. He draws on primary sources, martial arts traditions, classical and modern fencing theory, and extensive practical experience to create a practical and enjoyable method for learning and practicing the spadone under modern conditions. Numerous photographs illustrate the techniques that he describes.

Mobility in History

Titre : Mobility in History
Auteur : Peter Norton
Éditeur : Berghahn Books
ISBN-13 : 0857459864
Libération : 2012-10-01

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Since 2003 the International Association for the History of Traffic, Transport and Mobility (T2M) has served as a trade-free zone, fostering a new interdisciplinary vitality in the now-flourishing study of the History of Mobility. In its Yearbook, "Mobility in History," T2M surveys these developments in the form of a comprehensive state-of-the-art review of research in the field, presenting synopses of recent research, international reviews of research across many countries, thematic reviews, and retrospective assessments of classic works in the area. "Mobility in History" provides an essential and comprehensive overview of the current situation of Mobility studies.


Titre : Fencing
Auteur : Camillo Agrippa
Éditeur :
ISBN-13 : 1599101734
Libération : 2010-01

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Camillo Agrippa's widely influential "Treatise on the Science of Arms" was a turning point in the history of fencing. The author - an engineer by trade and not a professional master of arms - was able to radically re-imagine teaching the art of fencing. Agrippa's treatise is the fundamental text of Western swordsmanship. Just as earlier swordsmanship can be better understood from Agrippa's critiques, so too was his book the starting point for the rapier era. Every other treatise of the early-modern period had to deal explicitly or implicitly with Agrippa's startling transformation of the art and science of self-defense with the sword. Likewise, all of the fundamental ideas that are still used today - distance, time, line, blade opposition, counterattacks and countertime - are expressed in this paradigm-shifting treatise. This is a work that should be on the bookshelf of anyone interested in the history, practice or teaching of fencing. His treatise was also a microcosm of sixteenth-century thought. It examines the art, reduces it to its very principles, and reconstructs it according to a way of thinking that incorporated new concepts of art, science and philosophy. Contained within this handy volume are concrete examples of a new questioning of received wisdom and a turn toward empirical proofs, hallmarks of the Enlightenment. The treatise also presents evidence for a redefinition of elite masculinity in the wake of the military revolution of the sixteenth century. At the same time, is offers suggestive clues to the place of the hermetic tradition in the early-modern intellectual life and its implications for the origins of modern science. Camillo Agrippa's "Treatise on the Science of Arms" was first published in Rome in 1553 by the papal printer Antonio Blado. The original treatise was illustrated with 67 engravings that belong to the peak of Renaissance design. They are reproduced here in full. "Mondschein has at last made available to English-speaking readers one of the most important texts in the history of European martial arts. Agrippa marks a turning point in the intellectual history of these arts.... Mondschein's introduction to his work helps the reader understand Agrippa - and the martial practices themselves - as pivotal agents in the evolving cultural and intellectual systems of the sixteenth century. Above all, Mondschein's translation is refreshingly clean and idiomatic, rendering the systematic clarity of the Italian original into equally clear modern English - evidence of the author's familiarity with modern fencing and understanding of the physical realities that his author is trying to express. Mondschein's contextualization of his topic points the way for future scholarly exploration, and his translation will doubtless be valued by both students of cultural history and practitioners of modern sword arts." - Dr. Jeffrey L. Forgeng, Paul S. Morgan Curator -Higgins Armory Museum, Adj. Assoc. Prof. of Humanities, Worcester Polytechnic Institute First English translation. Hardcover, 234 pages, 67 illustrations, introduction, bibliography, glossary, appendix, index."

Arte Gladiatoria Dimicandi

Titre : Arte Gladiatoria Dimicandi
Auteur : Filippo Vadi
Éditeur :
ISBN-13 : 1891448161
Libération : 2010-01-01

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For the first time, a color fascimile and translation will be available from this important 15th century master of late Italian Medieval swordsmanship. Master Fillipo Vadi's work, previously overlooked and underestimated by fencing scholars, presents the student of historical swordsmanship or of miltiary history a fresh, stunningly beautiful look into the mind of an Italian fencing master.Accompanying the exquisitely wrought text, finely translated by Luca Porzio, are 56 color plates showing many of the techniques explained in the chapters and by other historical masters, but in this case, with such a beautiful rendering that they are works of art unto themselves.An absolute must for the bookshelf of anyone interested in the history of fencing or late medieval warfare, this rich volume will also appeal to collectors of illuminated manuscripts, reeactors, and literary traditions of 15th century Italy.